Mark Wahlberg Signs for Netflix Action-Thriller ‘The Operator’
- Ricky Giamatti
- Dec 3, 2025
- 4 min read
Let's be honest, Mark Wahlberg is less a working actor these days and more a Netflix content generator in a perpetual motion machine. The man’s work ethic is terrifying; he churns out these high-concept, low-friction action-comedies at a pace that suggests he’s racing against an impending asteroid. I swear, they must use an AI trained entirely on Wahlberg’s Instagram motivational posts to write his movie synopses.

So, the inevitable has happened again: Wahlberg has signed on for his next massive streaming tentpole, an action-thriller called The Operator, which Netflix aggressively acquired after what was reported to be a heated bidding war. The fact that studios still enter a bidding war for a Wahlberg vehicle, despite his Rotten Tomatoes scores often resembling a low-grade fever, is a perfect summation of the streaming economy. Critical disdain? Irrelevant. Global consumption? Priceless.
This time, the pitch is pure cinematic catnip, a high-stakes, forced-team-up trope that Hollywood can never resist. Wahlberg will star as a former elite military operative—you know the drill: Delta Force, Navy SEAL, some kind of highly specialized unit whose members can kill you with a damp towel and a toothpick—who now works as a "cleaner" for the CIA. His new mission? To protect his most hated enemy. Cue the tension, the explosions, and the inevitable moment where the two protagonists realize they secretly respect each other’s commitment to excellent firearm discipline. A classic game of cat-and-mouse is promised, which, knowing Wahlberg’s track record, will involve very little actual sneaking and a whole lot of very loud, expensive property damage.
The Architect: Why This Script Has Buzz (And a Future)
The heat around The Operator isn’t just about Wahlberg’s ability to pull in 85 million households; it’s about the guy doing the writing: Harrison Query.
Query is quickly becoming the undisputed King of the Streaming Script, the new powerhouse writer whose name attaches itself to projects with genuine momentum. He's the guy who understands how to build a concept that's both cinematic enough for a theatrical run and simple enough to be binge-watched at 1.5x speed on a Tuesday night.
The fact that Netflix had to win a bidding war, and that Wahlberg jumped on board, speaks volumes about Query's material. Beyond The Operator, the man is stacked: he is currently set to showrun the Netflix action series Trigger Point, which will star Joel Edgerton. And, proving his range extends beyond the Netflix ecosystem, he recently sold a short story to Amazon MGM Studios that is being adapted into a feature film vehicle for Jake Gyllenhaal.

Wahlberg aligning himself with a writer this "in-demand" shows smart business. It suggests that The Operator might not just be the usual explosion-by-numbers fare; it might actually have a script that, dare I say it, bounces—which, of course, is a high-level compliment around here. It means the film is built on a solid foundation of concept, ensuring that even if the critical reception is icy, the structure is sound enough to hold up 100 million simultaneous views.
The Streaming Algorithm’s Sweetheart: A Case Study in Critic-Proof Stardom
Now, let’s talk about the elephant in the room—or rather, the critically maligned, commercially gigantic elephant in the room. Mark Wahlberg’s partnership with Netflix is a fascinating anomaly in modern pop culture, one that Ricky Giamatti, your faithful pop culture purist, has to address with a blend of snark and sincerity.
Wahlberg’s Netflix run kicked off in 2020 with the action-comedy Spenser Confidential (co-starring the late, great Alan Arkin). The movie was a massive, instant success, racking up a reported 85 million household views in its first six weeks. The critics? They were lukewarm at best, giving the film a dismal 37% fresh rating on Rotten Tomatoes. Netflix immediately signaled a sequel was in development, proving the golden rule: views beat reviews every single time.
Wahlberg’s next venture, 2020’s Me Time, was a buddy action comedy that paired him with fellow streaming powerhouse Kevin Hart. This movie was universally crushed, achieving a spectacularly low 7% fresh rating on Rotten Tomatoes. That’s not a film score; that’s the score for an algebra test I took in 9th grade. And yet, it was a massive streaming success, proving that audiences don't care about sophisticated storytelling when they need reliable, low-commitment noise.
His most recent effort, the 2024 globetrotting action movie The Union, co-starring Halle Berry, fared only marginally better with critics, earning a 36% fresh score. While the chemistry between Wahlberg and Berry was praised, the action was deemed a pale shadow of, say, the John Wick franchise.
The point isn't to mock the films; the point is to observe the phenomenon. Mark Wahlberg is an anti-prestige powerhouse. He delivers a specific kind of predictable, reliable, high-octane entertainment that the global algorithm eats up for breakfast. He is the ultimate assurance of a solid, two-hour distraction, and that reliability has made him one of the most bankable stars in the industry, proving that sometimes, you just need a charismatic actor punching something expensive to win the streaming war.

The Streaming Polyglot: Working the Entire Ecosystem
Don't think for a minute that Netflix has Wahlberg locked down with some kind of exclusive contract. Oh no. The man is a streaming mercenary, a savvy businessman who understands that the real money is in being platform-agnostic.
In recent years, Wahlberg has been actively lining up and delivering content for every major service. His recent action-comedy The Family Plan 2 was made for Apple TV. His 2025 action-comedy Play Dirty was released by Prime Video. And he’s already got two more lined up for the future: Weekend Warriors with Apple TV and Balls Up with Amazon MGM Studios.
This speaks volumes about his stature. Wahlberg is one of the rare stars who can move between the walled gardens of the streaming world, guaranteeing huge numbers regardless of the logo in the corner. He’s not tied to a single studio; he’s tied to the global audience that knows exactly what they’re signing up for: two hours of witty banter, decent action, and a happy ending.
The announcement of The Operator confirms his status at the top of the food chain. It proves that whether you’re Netflix, Apple, or Amazon, if you need a guaranteed, critic-proof audience winner, you still pick up the phone and call Marky Mark. We here at Popcorn & Pages are just ready to watch the fireworks, regardless of the score.










Comments